Man and superman: A comedy and a philosophy (Collection of British authors. Tauchnitz edition) Review
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Comics & Graphic Novels,DVD Cartoon,Model Cartoon
Folkloric stories are powerful. They can be emotional, funny, uplifting, or scary. But they always have pull to them, and that's why they continue to haunt and entertain people.
While there are special classes in school that teach mythology and folklore, it isn't always easy to find a class on Native American stories. Unfortunately, these stories are often pushed aside just as Native American culture and history can so often get left out of textbooks. Trickster: Native American Tales--A Graphic Collection is a unique remedy for this. In the form of a comic book, it tells 21 Native tales about tricksters. The tales range in style and emotion: Some are straightforward, some are humorous, some are frightening. All of them are interesting.
While the collection is edited by Matt Dembicki, who also illustrated one of the stories, Trickster offers a wide variety of talent. Dembicki explains in his afterword: "For this book, I wanted the stories to be authentic, meaning they would be written by Native American storytellers." He was able to find many talented people to help him make this collection a reality. One aspect that's really interesting is how different the stories are from one another. Even if elements and storylines can be similar, each artist and writer has a unique way of portraying the story. The style of art especially varies: Some stories are dark and realistic; some are comical and outrageous; some look as if they came from the Sunday morning funnies section; some look like the art from children's books; some look like cartoons one might see on television.
The binding thread for all the stories is that each one deals with a trickster. Sometimes the tricksters are animals like Coyote or Rabbit. Other times they're humans. Sometimes the tricksters are really low-down; at other times, their actions are understandable. Usually their brains help them win the day, even if their methods wouldn't always be considered acceptable.
This could be a great way to learn more about Native American culture through storytelling. Or, if the reader is already familiar with the stories, it could be enjoyable just for the sake of seeing how different writers and artists render the stories. Either way, it's a very lively and readable book that libraries might really want to consider shelving in their folklore sections.
It seems like neglect not to mention the names of all the gifted people who wrote and illustrated these stories; Naming them will also give readers an idea of how many minds worked on this and how many creative differences can be seen. Trickster's contributors are Dayton Edmonds, Micah Farritor, John Active, Jason Copland, James Bruchac, Joseph Bruchac, Matt Dembicki, David Smith, Jerry Carr, Eldrena Douma, Roy Boney, Jr., Michael Thompson, Jacob Warrenfeltz, Jonathan Perry, Chris Piers, Scott White, Tim Tingle, Pat Lew, Elaine Grinnell, Michelle Silva, Mary Eyley, Jim8ball, Greg Rodgers, Mike Short, Joyce Bear, Megan Baehr, Beckee Garris, Andrew Cohen, Dan Jones, Michael J. Auger, Eirik Thorsgard, Rand Arrington, Thomas C. Cummings, Jr., Paul Zdepski, Jimm Goodtracks, Dimi Macheras, Jack Gladstone, Evan Keeling, Joseph Stands With Many, Jon Sperry, John Bear Mitchell, Andy Bennett, Sunny Dooley, and J. Chris Campbell.
-- Danica Davidson
All cultures have tales of the trickstera crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. The first graphic anthology of Native American trickster tales, Trickster brings together Native American folklore and the world of comics.
In Trickster more than twenty Native American tales are cleverly adapted into comic form. Each story is written by a different Native American storyteller who worked closely with a selected illustrator, a combination that gives each tale a unique and powerful voice and look. Ranging from serious and dramatic to funny and sometimes downright fiendish, these tales bring tricksters back into popular culture in a very vivid form. From an ego-driven social misstep in Coyote and the Pebbles” to the hijinks of How Wildcat Caught a Turkey” and the hilarity of Rabbit’s Choctaw Tail Tale,” Trickster provides entertainment for readers of all ages and backgrounds.
Along with compiling and editing the book, artist Matt Dembicki illustrated one of the featured trickster tales. Dembicki is the founder of D.C. Conspiracy, a comic creators’ collaborative in Washington, DC, and has won acclaim for his nature graphic novel, Mr. Big. He currently works as an editor for a higher-education association.
The simplest way of putting why I like JMS Spider-Man is because the man gets Spidey. He knows the characters and writes them well so that even if you don't like how the plot is shaping out you can still enjoy the story just because of how good the dialog is and how true to the characters their actions are.
I'm an avid Cathy fan and this is Guisewite at her best. She keeps to her trademark humor and perceptiveness while using very "everyday" situations. To those who complain that the cartoon plays upon stereotypical female concerns such as shopping and food, I counter that these themes make the humor relatable to many women, while providing a backdrop to the cartoonist's witty and incisive social commentary.
This particular collection plays upon an unexpected twist in the Cathy-Irving saga. After a lapse of three years, Irving turns up in a very unexpected way in Cathy's life - her professional life! - as a downsizing consultant. Guisewite very cleverly develops various angles of this theme, such as the often seen discrepancy between a person's competent "together" professional demeanor versus the more lackadaisical, sometimes inept, personal one. The irony is heightened for instance when Cathy's boss introduces Irving as being hired to do some housecleaning (as he euphemistically calls it) for the company and Cathy remembers that he does not even pick up his towels off the floor!
Of course Guisewite weaves in her usual themes into the plot. The title itself stems from a realization that her cartoon protagonist looks fabulous with the aid of the usual flesh constricting sartorial arsenal of corsets, tight hose and stillettos, etc. It speaks to the inventiveness and imagination of Guisewite that she can bring up many fresh and astute takes on these seemingly mundane aspects of the female experience.